For nine years, Kate has led Equity into a more activist era, in which artists view themselves as workers, new ideas are often the best ideas, and the industry’s worst practices are called out as unacceptable. An award-winning actor, she’s starred in four Broadway shows, two national tours, and regional productions from coast to coast, and has appeared in numerous film and TV projects. She is a Northwestern alum and lives in Astoria.
What led you down your current career path?
The standard response to an aspiring actor is “if there’s anything else that would make you happy, go do that.” It’s a very tough way to make a living, and I wasn’t surrounded by the profession growing up; my high school didn’t have a stage! But I’m fascinated by the human experience, the sociology and the artistry of exploring it. And I love telling stories.
What does your organization hope to accomplish in 2024?
Well, we’re organizing. The energy of workers who’ve just decided to unionize is like a drug. We always want more contracts that pay living wages, and don’t rely on arts workers to subsidize bad business practices. We’re also very focused on getting the Performing Artist Tax Parity Act across the finish line, reelecting the most pro-union president in my lifetime, and finishing 2024 with pro-worker majorities in Congress. This one’s for all the marbles.
What are the benefits that union membership (your union if applicable) provides?
From an early age, actors and stage managers are relentlessly conditioned to equate “getting a job” with “luck,” which has all kinds of toxic consequences when it’s time to make a living. To me, one of the most valuable things our union can do is to constantly reframe that paradigm. Sure, sometimes preparation meets opportunity, but you deserve success – and livable wages, safety, benefits – because you’ve worked your ass off to get here.